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July 29, 2008

Ann Skiold to serve at Syracuse University in Florence Library

Syracuse University Library’s art librarian, Ann Skiold, will join the library staff of Syracuse University in Florence (SUF) from August 2008 through June 2009. The Florence Library and Media Lab maintain a multi-disciplinary, multi-format collection that supports teaching and research in the range of disciplines taught at SUF, including Architecture, Art History, Studio Arts, Italian, and Social Sciences.

Ann will work closely with SUF Library Coordinator Cathleen Compton to develop library programs and enable SUF faculty and students to make effective use of library resources. She will also serve as a consultant to the SUF director Barbara Deimling, SU Abroad, and the SU Library. In this role, Ann will gather user input on desired changes to the SUF Library’s overall program, assess library collections and services, and recommend strategies for strengthening the library and for integrating it more fully into SUF programs. Another important facet of Ann’s work will be to investigate and recommend options for shared collections and services between the SUF and home campus libraries. She will also assist Cathleen in developing collaborative relationships between the SUF library and other libraries in Florence.

Support for Ann’s appointment has been enthusiastic and broad-based, made possible by contributions from the Provost, the Vice President for Enrollment Management, and the College of Arts & Sciences, in addition to SU Abroad and the Library. In expressing his views about Ann’s appointment, SU Abroad Executive Director Jon Booth said, “With her international background and expertise in both the arts and librarianship, Ann is ideally suited for this position. With her help, we will rethink what the Florence Center library should be and affirm or adjust the program accordingly.”

Ann, who holds dual citizenship in the U.S. and Sweden, came to Syracuse University Library from Westmont College in Santa Barbara in 2005. She is a Senior Assistant Librarian in the Arts and Humanities Services Department and is responsible for research assistance, instruction, and collection development in a number of subject areas, including Art History, Photography, Film, Applied and Decorative Arts, English, Linguistics, and Communication and Rhetorical Studies.

During Ann’s time away, the following librarians will cover her subject responsibilities: Barbara Opar (baopar@syr.edu), Art and Design; Pam Thomas (pthomas@syr.edu), Photography and Film; and Lydia Wasylenko (lwwasyle@syr.edu), English, Linguistics, and Communication and Rhetorical Studies.

July 17, 2008

SU Library subscribes to Scopus database

Syracuse University Library now subscribes to the Scopus database, published by Elsevier. Scopus is a comprehensive, multidisciplinary abstract and citation database covering scientific, engineering, medical, and social sciences information. In addition to title, author, and subject searching, Scopus provides cited reference searching capabilities, links to full-text, saved searches, and an alerting feature.

Scopus covers 15,000 peer-reviewed and open access journals from over 4,000 publishers, over 600 trade publications, 500 conference proceedings, 200 book series, as well as more than 386 million scientific web pages, and 22 million patent records from five patent offices. References and cited reference information are provided from 1996 forward. Abstracts go back further, with retrospective content being continually added. Scopus is updated daily with new information.

Scopus makes available an online interactive tutorial series; training sessions will be offered in the fall. For more information about Scopus or to schedule a demo, contact Elizabeth Wallace at elwallac@syr.edu.

July 9, 2008

Trial Access for Opera in Video

Trial access has been established for Opera in Video.
Trial is through August 9, 2008 and it is available via IP authentication.

To access the database, point your browser to: Opera in Video

For Off-Campus access please point your browser to: Opera in Video - Off-Campus access

Opera in Video contains 250 of the most important opera performances, captured on video through staged productions, interviews, and documentaries, and then delivered online through streaming video. Selections represent the world’s best performers, conductors, and opera houses and are based on a work’s importance to the operatic canon. The result is a dynamic and powerful resource for performers, researchers, and students.

For more information or comments, please contact Carole Vidali.

July 2, 2008

Syracuse University Library receives major gift of sound recordings from family of Morton J. Savada

Syracuse University Library’s Belfer Audio Laboratory and Archive has received a major gift from the family of the late Morton J. “Morty” Savada—the complete inventory of his Manhattan record store, Records Revisited, including more than 200,000 78-rpm records, along with a related print collection of catalogs, discographies and other materials. With the addition of the Savada Collection, Belfer’s holdings now total more than 400,000 78-rpm recordings—second in size only to the collections of the Library of Congress.

The Savada Collection, valued at just over $1 million, is a treasure trove of popular music, including unique and hard-to-find genres. It is strongest in big band and jazz, but also represents a wide variety of other musical genres, including country, blues, gospel, polka, folk, Broadway, Hawaiian and Latin. It also contains spoken-word, comedy and broadcast recordings, as well as V-disks, which were distributed as entertainment for the U.S. Armed Forces during World War II.

In addition to the popular labels of the day—such as Columbia, Decca and Victor—Savada collected rare and specialized recordings. Dates of recordings in the collection range from 1895 to the 1950s.

“The library is grateful to the Savada family members for their generosity,” says University Librarian and Dean of Libraries Suzanne Thorin. “The rich and varied resources in this collection will greatly enhance research and scholarship done at Belfer for years to come.”

Savada, who died Feb. 11, was well known by audiophiles and the entertainment industry in New York as an exceptional source for both sound recordings and recording history. Will Friedwald remarked in his Feb. 13 obituary in The New York Sun: “For any collector looking for a rarity, historian working on a research project, or reissue producer in search of something so rare it wasn’t even in the vault, Records Revisited was generally the first call to make.

“Savada specialized in filling gaps and finding vintage single tracks that had never been reissued in any of the long-playing formats,” Friedwald wrote. “Savada regularly collected 78 collectors together for lunches and bull-sessions. His shop off of Herald Square was a hub of such activity, where younger aficionados of old music picked up folklore in addition to the discs themselves.”

Savada opened Records Revisited in 1977 but had been collecting 78s since 1937. Records Revisited was the last store exclusively selling 78-rpm recordings and was a frequent haunt for those in the film and music industries, including actor/directors Woody Allen and Matt Dillon. Savada often lent his 78s to movie and music producers rather than selling them, and never sold the last copy of a recording because he regarded his collection as an archive, not an inventory.

Savada had wanted to donate his collection to a major institution that would maintain the collection and make it available to enhance research and teaching. He was very familiar with SU’s Belfer Audio Laboratory and Archive and its staff, whom he knew from regular meetings of the Association for Recorded Sound Collections (ARSC). He also had another connection to the University: his granddaughter graduated from SU in 2005.

“I am unaware of another donation of recordings as large as the Savada gift to Syracuse University Library,” says Sam Brylawski, immediate past-president of the board of ARSC. “It is an outstanding gesture by the family. It is gratifying, too, to know of Syracuse University’s commitment to preserving the work of Morty Savada and making it available to the public and the research community.”

Sound recordings are a rich resource for researchers, faculty and students in a variety of disciplines. In addition to documenting the musical styles and performance practices of the day, these sound recordings provide a glimpse into social, political and cultural history. At SU, sound recordings are regularly used by faculty teaching music, musicology, history, filmmaking, journalism, political science and many other fields.

“The Savada Collection is precisely the kind of collection music industry and Bandier Program students need to work with,” says David Rezak, director of SU’s Bandier Program for Music and the Entertainment Industries. “Students in the ‘Music Company’ course operate a functional record label and publishing company. For them, the process of exploring the recordings in the Belfer Archive for potentially releasable material is an education in itself.”

“The Savada collection is truly an archival wonder—an exhaustive survey of popular music recordings from the first half of the 20th century,” says Theo Cateforis, assistant professor in SU’s Department of Fine Arts, who also makes extensive use of sound recordings in teaching. “For students whose relationship with music and technology rarely extends beyond the confines of the iPod, it is always eye-opening to see and hear the original 78s that were the mainstay of the recording industry for many decades. As such, these recordings offer an invaluable social and historical context.”

The Savada gift constitutes an important contribution to the University’s $1 billion capital campaign, The Campaign for Syracuse University, the most ambitious fundraising effort in SU’s history. By supporting faculty excellence, student access, interdisciplinary programs, capital projects and other institutional priorities, the campaign is continuing to drive Scholarship in Action, the University’s mission to provide students, faculty and communities with the insights needed to incite positive and lasting change in the world. More information is available online at http://campaign.syr.edu.

“The Savadas’ contribution is remarkable not only for its impact on our academic and research communities but as a significant contribution to The Campaign for Syracuse University,” says Brian Sischo, associate vice president of development and campaign director. “It is one more example of a gift that has the potential to affect students, faculty and researchers across many different disciplines. It truly represents the University’s belief in Scholarship in Action.”

The Savada Collection will be relocated to Syracuse this month, when work will begin to process the collection. For additional information on the collection, contact Melinda Dermody, head of arts and humanities services at SU Library, at (315) 443-5332 or mderm01@syr.edu.

July 1, 2008

Book Arts Exhibition on Bird Sixth Floor

This new exhibition in the hall exhibit case on the sixth floor of E.S. Bird library features an exploration of the book by students in Foundation Bookmaking (FND 116) and Hand Paper Print/Book workshop (PRT 552) in the College of Visual and Performing Arts. The exhibition will run through August 21.

During the first 2008 summer session, students in the Foundation Bookmaking class taught by Assistant Prof. Chris Wildrick learned to make books that are image-intensive from both art and design points of view. Students learned to create their own books using several book-binding techniques and approaches, including accordions and scrolls, pamphlet bindings, Japanese bindings, coptic bindings, altered books, and interactive books. The class investigated how books are structured, both within one single page and from page to page throughout the book. They also learned about digital layout techniques using InDesign as well as the options available for online self-publishing. Students in the class were drawn from diverse areas of the University, and came with a wide range of interests, experience, and skills.

One day in the month of April, the book artists of PRT 552, the book arts class in the College of Visual and Performing Arts taught by Associate Professor Holly Greenberg, were told to make an exchange of books with the sole requirement that they fit inside a wooden box. The students created two separate exchanges of eight books apiece, totaling sixteen books in all. In the end the groups came up with two greatly diverse exchanges: “Dirt,” based upon the concept of what things we may want to keep hidden or secret, and “Home,” which played off the theme of rooms in a house and associations made with the space. All students were encouraged to use a variety of binding techniques and materials, as well as raise the question of “what is a book?” Both groups collaborated with the PRT 552 teaching assistant on the exterior design of their boxes.



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